…after Glamour

Rote Nagellackfläschen sind halb versenkt in grauem Beton

Jewgenija Tschuikowa, Ohne Titel, 2016

Opening: 26.08.2016, 7pm

An artistic analysis of current developments in russian society by Natalia Gershevskaya and Jewgenija Tschuikowa

In the past 20 years, russian society has undergone a tremendous change. At the beginning of the 21st century, the financial strength of a particular social group increased immeasurably due to oil and gas exports, as well as a corrupt economy.
In the soviet past, no tradition or culture of dealing with capital could possibly develop. As a result, the quickly earned money of the new elites manifested itself in a luxurious lifestyle showing off their new social status. The dictates of conspicuous consumption and unbridled vanity culminated in grotesque forms of glamour, which became a model and a dream projection – and remained a dream for the majority of the population.

The lack of social awareness and social responsibility prevented the building of a civil society, which in turn lead to enormous social division, and to the disorientation and radicalization of today’s society.

How is this rapid development reflected in the visual arts?

The exhibition is accompanied by an intensive education program. This will provide an international context where artist talks, panel discussions, lectures and performances will examine in the consequences of »glam-capitalism«.

With Elena Berg, Vadim Gushchin, Viktor Kirillov-Dubinskiy, Olya Kroytor, Andrey Kuzkin, Konstantin Latyshev, Vikenti Nilin, Leonid Sokhranski, Rostan Tavasiev, Jewgenija Tschuikowa, Anna Zhelud

ELENA BERG, Red, 2002, artificial fingernails, 150 x 75 cm, Courtesy of the artist, Photo: Ivo Faber
ROSTAN TAVASIEV, Cinema, 2006, Installation, Steel, paint, stainless steel, c/b cloth, wood, faux fur, plastic, sewing, 300 x 250 x 500 cm, Courtesy of Moscow Museum of Modern Art collection, Moscow, Photo: Ivo Faber

In cooperation with

OLYA KROYTOR, Isolation, 2014, Performance/Installation, Red rug, wood, 1400 x 300 x 200 cm, Photo: Ivo Fabe
ANDREY KUZKIN, All ahead!, 2011, Installation & video documentation, 28 metal boxes, 320 x 300 x 190 cm, Courtesy of the artist, Photo: Ivo Faber